And if a poet has, represented impossible things, then he has missed the mark, but that is the right thing to do if he thereby hits the mark that is the end of the poetic art itself, that is, if in that way he makes that or some other part more wondrous.
In Book XXIV of the Iliad, forms of the word tham bos, amazement, occur three times in three lineswhen Priam suddenly appears in the hut of Achilles and "kisses the terrible man-slaughtering hands that killed his many sons"but this is only the prelude to the true wonder.
We, however, can see better why he starts there by trying out a few simple alternatives. We may even come out feeling good about being so compassionate.
Through sharing, there is a reciprocal stimulation of emotions and emotional communion. It is an ordinary man, the weakness and virtues, as, leaning over the side of good than harm, in a position of eminence, and the collapse of the hill, not because of willful sin, but due to some misjudgments, in turn, leads to a catharsis of the emotions of pity and fear.
In his capacity to be moved by the wonder of a suffering fellow human, we wonder at him.
Therefore it is deeds and the story that are the end at which tragedy aims, and in all things the end is what matters most The spectator sees that it is the tragic error or Hamartia of the hero which results in suffering and so he learns something about the universal relation between character and destiny.
Aristotle mentions two features of the plot, both of which are related to the concept of harmartia, as crucial components of any well-made tragedy.
This sudden acquisition of knowledge or insight by the hero arouses the desired intense emotional reaction in the spectators, as when Oedipus finds out his true parentage and realizes what crimes he has been responsible for.
Aristotle, Poetics, Joe Sachs trans.
I recall an aquarium somewhere in Europe that had on display an astoundingly ugly catfish. Even to be arrested before such a sight feels in some way perverse and has some conflict in the feeling it arouses, as when we stare at the victims of a car wreck.
He does not try to prove that there is such a thing as nature, or such a thing as motion, though some people deny both.
So the mere phrase imitation of an action is packed with meaning, available to us as soon as we ask what an action is, and how the image of such a thing might be perceived.
There is a line in The Wasteland, "I will show you fear in a handful of dust.
Else made the following argument against the "purgation" theory: I am not trying to make a paradox, but to describe a marvel. Aristotle did not do experiments in the modern sense.
These arise in us in crude ways, attached to all sorts of objects.Literary Theory and Criticism. Literary Theory and Criticism; Unit1: Plato and Aristotle; Unit 2: John Dryden Aristotle’s Concept of Tragedy The Catharsis or moderation of such forms of pity ought to be achieved in the theatre or otherwise when possible, for such moderation keeps the mind in a healthy state of balance.
Similarly. Aristotle’s concept of mimesis helps him to explain what is distinctive about our experience of art. Poetry is mimetic, meaning that it invites us to imagine its subject matter as real while acknowledging that it is in fact fictional.
Aristotle identifies catharsis as the distinctive. Get an answer for 'Critically examine the Aristotelian concept of catharsis.' and find homework help for other Aristotle questions at eNotes.
‘Catharsis’ in Aristotle’s Poetics Catharsis is a metaphor used by Aristotle in the Poetics to describe the effects of true tragedy on the spectator. The use is derived from the medical term katharsis (Greek: “purgation” or “purification”).
Aristotle states that the purpose of tragedy. Aristotles concept of catharsis Words | 24 Pages Mimesis, Catharsis, and Pleasure: An Investigation into Aristotle’s Tragic Pleasure Bradley Elicker Temple University Abstract: Aristotle writes the Poetics as an investigation into representational art and, more specifically, as an investigation into the art form of tragedy.
In that particular change he introduces the concept of potentiality and Tragedy is the imitation of action arousing pity and fear, and is meant to effect the catharsis of those same emotions. Aristotle concludes Poetics with a discussion on which, if either, is superior.Download